Editing | Description |
Continuity Editing | the most common type of editing, which aims to create a sense of reality and time moving forward. Also nick named invisible editing referring to how the technique does not draw attention to the editing process. |
Jump Cut | An abrupt, disorientating transitional device in the middle of a continuos shot in which the action is noticeably advanced in time and/or cut between two similar shots, usually done to create discontinuity for artistic effect. |
Credits | the information at the beginning and end of a film, which gives details of cast and crew etc. |
Cross Cutting | the editing technique of alternating, interweaving, or interspersing one narrative action (scene, sequence or event) with another – usually in different locations or places, thus combining the two: this editing technique usually suggests Parallel action (that takes place simultaneously). Often used to dramatically build tension and/or suspense in chase scenes or to compare two different scenes. Also known as inter-cutting or parallel editing |
Cutaways | A brief shot that momentarily interrupts continuous action by briefly inserting another related action. Object, or person (sometimes not part of the principle scene or main action), followed by a cutback to the original shot. |
Freeze Frame | the effect of seemingly stopping a film in order to focus in on one event or element. |
Eye-line Match | a type of edit which cuts from one character to what that character has been looking at. |
Flashback | a scene or moment in a film in which the audience is shown an event that happened earlier in the film’s narrative. |
Graphic Match | an edit effect in which two different objects of the same shape are dissolved from one into the other. |
Juxtaposition | the placement of two (often opposed) images on either side of an edit to create an effect. |
Linear Narrative | a style of storytelling in which events happen chronologically. |
Montage Editing | the juxtaposition of seemingly unconnected images in order to create meaning. |
Parallel Editing | a type of editing in which events in two locations are cut together, in order to imply a connection between the two sets of events. |
Visual Effects | visual effects are usually used to alter previously-filmed elements by adding, removing or enhancing objects within the scene. |
Match on Action | A shot that emphasises continuity of space and time by matching the action of the preceding shot with the continuation of the action. (For example a shot of a door opening after a shot of a close up of a character’s hand turning a door handle) |
Tuesday, 22 November 2011
shot types
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment